iPhoneography App Stacking in Italy Part 4: Evaluate & Select

Selecting an image from among the about 15 options I shared with you in Experiment and Play and in More Experiments is difficult but I do have a few favorites.  I’ll also include reader favorites in this post.

I’m still rather fond of the original composition because the keystoning accentuates the drama and provides the context of the space.  This version is more 3 dimensional and the others appear more flat, like a painting:

Original iPhone photo of fantastic church ceiling fresco in Italy

Original iPhone 4 photo of fantastic church ceiling fresco in Italy, 5MB

Sebastian Salgado is best known for his up-close and personal documentation of mine workers.  He covered the plight of the disadvantaged and the semiotics of his signature style seem well suited.

Edited in Photocopier, using the style of documentary photographer Sebastian Salgado

Edited in Photocopier, using the style of documentary photographer Sebastian Salgado

The AE TTV Saturated version below from Lo-Mob does a great job of concentrating focus on the central figure and making this feel like it is part of a movie, spread over time, like a story. I really like this one.

Image edited in Lo Mob, AE TTV Saturated, 3.5MB

Image edited in Lo Mob, AE TTV Saturated, 3.5MB

This last one does the best job of faithfully yet dramatically rendering the fresco as a whole with a parade of activity up and down and all around.

Edited in Blender using Painteresque Portrait and PhotoForce Oil Painting versions

Edited in Blender using Painteresque Portrait and PhotoForce Oil Painting versions

How about you?  What do you like from these options? What makes you like it?  Thanks for sharing your perspectives and opinions!

If you’d like a peek ahead, here’s what’s next…

  • Part 5: Lessons Learned

One thought on “iPhoneography App Stacking in Italy Part 4: Evaluate & Select

  1. Pingback: iPhoneography App Stacking in Italy Part 5: Lessons Learned | Jennifer Hartnett-Henderson

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